“Market” at Uppsala Konsert & Kongress, Sal D: concert and workshop for all ages
Audience participation at Haekem, Brussels be in concert with I Belong to the Band (Adam Bohman, Zsolt Sörès, Oli Mayne, Jean-Michel Van Schouwburg), Willy Van Buggenhout, JJ Duerinckx, Mike Goyvaerts, Audrey Lauro + audience participants under the direction of Jean-Michel Van Schouwburg: me, Mara Pigeon, Pierre Michel Zaleski, Jean Philippe Burg, Monique.
Master class lecture, Department of Instrument Building, Conservatorium Gent / School of Arts Gent, be: “From the backyards of musical instrument acoustics – some unusual examples” + Presentation of my own work + discussion
KRAAK festival, Beursschouwburg, Brussels be: three performances: Gouden zaal: Stringed Stirrups; I Have Been In You, You Have Been In Me; Café: lecture on my work with video clips. Interview.
ToBe Continued, 8th edition World TB Day, Streaming on the internet, 24-hours music marathon organized by the Global Health Incubator of Topolò and Stazione di Topolò.
TGC (Tetra Gamma Circulaire) #3 / MAT>NET>PU at DE PLAYER, Rotterdam nl: two performances: Stringed Stirrups; I Have Been In You, You Have Been In Me. Also: Hiele Martens, Helga Jakobson. In collaboration with students (Karina Dukalska, Max Franklin, Giulia de Giovanelli, Clàudia Giralt, Francisco González, Margreet Riphagen, Nadine Rotem-Stibbe and Kimmy Spreeuwenberg) of the Piet Zwart Institute, part of their Experimental Publishing (XPUB) programme of the Media Design Master.
Hurtigrutten – Jordbro Konst och Performance at Jordbro kulturhus: S.K.R.O.T. Sinnlig Kakafoni Rostade Olycksbådande Toner - Klangen av rörelsen och dansen i den spelande kroppen. Ljud- och rörelsekonstnärer suddar ut gränserna mellan konstformerna och möts i mellanrummet. Premiere of a project with choreographers/performance artists Louise Kvarby & Anna Lord and musical performance artist (or whatever) Johannes Bergmark, a performance piece exploring the many sound and movement usages that thrown away objects with their inherent stories may have. Recycling what some see as garbage and giving it new lives. The reincarnation and animation of objects through movement and sound. (Musikrummet)
Rösta på Fylkingen V 2017, trio with Carin Norrby and Girilal Baars; tutti orchestra also including Madeleine Jonsson Gille and Lisa Hansson. Members' production by Baars and Bergmark.
Concert at Omnikvariatet, Uppsala: Quartet with Girilal Baars, Tuomo Haapala, Marie Selander – cancelled.
“SEAMS i Ryssland”: presentation at Kulturni centar ZIL (??. ?????????), Moscow, by Paul Pignon (as the introduction to an EAM concert), about SEAMS, EMS, Fylkingen and swedish EAM in general, playing short excerpts from works submitted by members of SEAMS to a later concert below.
12 hours improvisation with Le DBN (Mats Dimming, Girilal Baars, Yann le Nestour), “Att övergå tid och rum”, where The Great Learning Orchestra (represented by me, Torbjörn Bellind, Lily Bigestans, Aina Myrstener, Sören Runolf and Daniel Älgå) were among the guest artists, at Dome of Visions, Stockholm
SOLO-festivalen at Galleri 1, Uppsala. I performed “Surrealist Musical Object Theatre”. Also performing: Sofia Jernberg, Elsa Bergman. Fb-event. Fb-group.
“SEAMS i Ryssland”, at Kulturni centar ZIL (??. ?????????), Moscow. After Paul Pignon's presentation mentioned above, a loop was played in a week's time with the works that “SEAMS' members had sent in to the Moscow program. My piece: Tiden Går.