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The Whalefish was my most used instrument up to around 2005, and occasionally afterwards. It is a sort of one-man-band with many functions, and very flexible. It can be played sitting (usually), standing or walking, because it is totally connected to the body: around the neck theres a thong to which two piano strings attach to the soundboard. From the soundboard there are two wooden legs connected with a foot piece. The movements of the instruments are thus directly connected to the neck, foot and lap. Apart from playing the strings, there are a number of objects to be played on the sound board (amplified with a contact microphone). |
Photo © by Bertl Muetter. |
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From the top left, there are: telephone bells, 7 piano strings, an almond grinder, a toy music box, a fire alarm bell, a door bell, wooden rods, a spring, protruding pieces of piano wire, a butter ball maker, hacksaw blades, an older instrument called the Hedgehog with a wooden tongue and rods and an egg slicer. On the rear side of the Whalefish there are an African mbira, another egg slicer and parts of a coffee grinder. On the picture you see again the bells, the contact microphone and the fastening of the wooden and metal rods arrangement as well as the strings. The resonator plate comes from an old piano. |
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At Fylkingen ca 2000. Photo © by Bertl Muetter.
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In Szczecin 2003. |
At Fylkingen ca 2000. |
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From left to right: William Davison, Paul Hood and Johannes Bergmark live at Centurion Pub, London uk, July 4, 2003 (three excerpts). |